Old film

Let’s talk about something different today. I got hand on a quite old hp5+ can of 35mm. The one with the green lid and the film can itself is black with green font, can’t find when they changed this, but I’d guess so it is at least expired for 20 years. Since it was an expired film, I wanted to use it in an unconventional way, and decided to put it in the back of my Mamiya RB67 with some adapters an shoot some panoramic pictures. When you do that, of course you also expose through the sprockets as there’s no mask for 35mm. Some likes it and some don’t. I kinda like the aesthetic of it. And here we are for a quick sessions in the garden. Framing is of course not accurate unless you draw the lines on the ground glass. Actually the RB67 ground glass has several vertical lines, and this helps a lot.

Now for the developing part, I didn’t do anything special, probably extend a little bit the time compared to the recommended, but not that much, maybe one minute. This explain why it comes out with a low contrast. And actually, this kind of contrast for subjects like flowers and other vegetal is something I’m looking for. Still I added a bit of correction in Gimp, just to get some darker tones in the shadows. Basically taking the curve in the middle where there’s the most mid tones and pulled it to lower values. A few adjustments with a brush in soft light mode and that’s it.

Back to blue

After several posts about toning, let’s get back to the roots and to the blue of cyanotype. I’ll probably try a toned version of this one, but I think it works just fine with the prussian blue. This was taken in Jardin des Tuilerie during one of these photo binje day (means going to several exhibitions, and take pictures in between) that I especially appreciate.

Darker

So here if you’ve red previous post, we’ve seen a very soft image due to an excess of bleach. Now here is the version which is the same exposure time for the same negative. Ok this is not the same batch of paper, this one was coated the night before. Well we’re not in the industry here with fully reproducible process. So this time it was dipped into the bleaching solution for just two or three seconds. Actually I put it face downward and let it float o the bleach solution for a few seconds and then right away in the water, and then add more water. Finally it stayed about 30 to 40 minutes in the coffee. And we still have a lots of details. Hope you enjoy it.

Soft

Here is a very soft image. Very little contrast due to a struggle with bleaching time (too long) and concentration (too strong). what is interesting here is that it almost didn’t lost any details. Toned in coffee. I’ll try to make another version with more exposure and less bleach. But overall, I’m pleased with the process, the brown from coffee are very nice, and even the taint in the white is not too much disturbing.

Paris subway

Subway is usually a good place to take picture. the one in Paris is over a century old and the use of an old process is to me a good fit for some of the image I can take there. But probably anything pictural is also some of interest to me at this point. What I really like here is the softness in the shadows’s transitions while keeping some overall contrast. Negative is not flipped, and fortunately there’s no readable words on the ad.

Toning Cyanotype

Here we go again with some toning. With Maté this time. This is the tea of the Argentinian people. They literally drink that all day long. It’s quite a bitter taste so I could imagine it has some tanins. Two years ago, we had an intern who has roots in south America, and he used to drink maté while we were having coffee. I knew this from a trip to Argentina, so I asked him if he could get a pack for me and my photographic experiments. It gives a nice brown. Here the picture was bleached first and then toned for 20 to 30 minutes.